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At a loss for words? Hostile to language? Interpretation in creative practice-led PhD projects
words；language
2009/11/20
Debates about the relative merits of images and text can be traced back to Greek philosophy and have resurfaced regularly in Western traditions. In the context of practice-led PhD projects in art and ...
Drawing about images: textual and non-textual interpretation（图）
Drawing；images；interpretation
2009/11/20
This paper proposes an explanation for why academics disagree about the value of drawings. It suggests that how we value things informs our interpretation and notes that such disagreements can be foun...
Locatedness and the objectivity of interpretation in practice-based research（图）
Locatedness practice-based research
2009/11/20
This paper addresses the question of interpretation in practice-based research by arguing that all practice is 'located', where this 'location' ensures the objectivity of interpretation. Another way o...
In his essay 'A Manifesto for Performative Research' (2006) Brad Haseman proposes a performative paradigm for the creative arts, distinguishing it from qualitative and quantitative models that constit...
An engaged contribution to thinking about interpretation in research in/into practice
contribution practice
2009/11/20
I am deeply wary of starting from the premise that there is an inherent difference between methods of evaluation of research in the scientific model and those modes typical of the arts and humanities....
Editorial: the problem of interpretation in research in the visual and performing arts
research performing arts
2009/11/20
In the context of academic research, depending on a community's worldview, interpretation will be a benefit or a problem. The definition of interpretation, its relevance and role in academic research ...
What things know: exhibiting animism as artefact-based design research
exhibiting animism design research
2009/11/20
This paper develops a way of evaluating designed artifacts as research. It focuses deliberately on design, on the generation of new knowledge that can happen when making things for use. It works with ...
This paper describes the creative and critical contexts that inform the interpretation of artifacts created during art practice, which are contextualized and interpreted as evidence for some phenomeno...
Changeable context of the new technology artefact and the changeable research outcomes
technology artefact research
2009/11/20
Computer Aided Drawing (vector based) and painting (raster based) packages, allow the mock-up of designs in virtual space. Whilst this is beneficial for visualising the end product, both methods of dr...
The term "contingency" refers to humanity's principally open and uncertain life experiences, givens in the face of possible otherness and the possible modification of objects on the horizon (Luhmann, ...
Interpreting the rhetoric of contextual instrumentality
rhetoric contextual instrumentality
2009/11/20
Progress is synonymous with scientific/technological research. Research stands at the pinnacle of scholarly practice. Universities wage intense public relations for pre-eminence in the ‘research unive...
The whole world+the work: questioning context through practice-led research
world practice-led research
2009/11/20
This paper proposes that practice-led research, rather than confirming existing assumptions about the relationship of art and its cultural context, is in a position to challenge those assumptions, whi...
This paper presents some of the results from the research project “The Sketches and the Design Process in Architecture” that was developed by the authors in 2004. The architectural sketch is seen as a...
The reconciliation of the hostile ones: writing as a method in art and design research practices
hostile ones art design
2009/11/20
The so-called "pictorial turn" of recent years has emphasized the role of the visual in our construction of the world. While we live surrounded by images, we continuously need language for understandi...
An inaudible dialogue
Art design
2009/11/20
An ongoing preoccupation has been the question of where exactly the artwork is, or perhaps more accurately, where the significance of the work lies. Is it in the object, in its relation to its context...