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Leaflets were first deployed as a tactical weapon of war by the Germans during World War I to announce their imminent descent upon Paris. From that time forward, paper has rained from the skies during...
To negotiate the labyrinthine structures of Lacanian psychoanalysis is a humbling experience. This essay is a brief foray; an experiment that raises more questions than provides answers. Such is the m...
In 1974 Nam June Paik placed a statue of Buddha in front of a TV that displayed live feedback of the figure and titled it TV Buddha (fig. 1). The Buddha, an Eastern symbol of meditation and enlightenm...
(Re)contextualising Audience Receptions of Reality TV
Audiences viewers modes of reception reality TV
2009/11/27
This paper seeks to recontextualise key findings from recent studies of reality TV audiences in light of insights drawn from across the wider field. It suggests that modes of engagement and response ...
Walking the talk:reflections on Indigenous media audience research methods
reflections Indigenous media audience research methods
2009/11/27
Anthropological research methods are characteristic of much of the investigation of remote Indigenous media production in Australia and have enabled the voices of some Indigenous audiences to be heard...
Cultural knowledge in News Comprehension
Reception study News Comprehension Cognition Pragmatics Cultural models Problematology
2009/11/27
This paper presents the main lines of the design and the findings of a reception study on news comprehension. This empirical study is a comparison of the comprehension processes of Danes and French Ca...
From personality cult figure to camp image–the case of President Urho Kekkonen
personality cult cultic discourse camp monument Urho Kekkonen Finland
2009/11/27
Former Finnish President Urho Kekkonen (1900-1986) has two debated monuments in Finland. The debates surrounding these monuments contain intense rhetoric which indicates a particular sentiment towards...
Shadows and Bogeymen:Horror,Stylization and the Critical Reception of Orson Welles during the 1940s
Critical reception horror Orson Welles studies of film genre and authorship
2009/11/27
The article discusses Welles’s critical reception during the 1940s, and demonstrates the ways in which he was understood as a horror star. In the process, it argues that his films illustrate the close...
Interactions,Delegations and Online Digital Games Players in Communities of Practice
Participation and Communities of Practice Online gaming Delegation and Responsibility
2009/11/27
Claims around the blurring of producer and consumer categories and user-creativity are now commonplace in the so called age of Web 2.0. Within digital gaming specifically, efforts to enable players t...
Young Soap Opera Viewers and Performances of Self
soap opera performance gender ethnicity identity construction
2009/11/27
The Dutch television soap opera Good Times Bad Times has been popular with youth audiences for many years. In this article, I discuss three ‘active’ ways in which young people from diverse ethnic back...
The Production of Locality in Global Pop - A Comparative Study of Pop Fans in The Netherlands and Hong Kong
Globalisation popular music fan culture Marco Borsato Leon Lai
2009/11/27
Studies on fandom show an Anglo-Saxon bias and most of them take gender, age, sexuality and class as the key to understand fandom. Following globalisation theory, this study argues for the importance ...
Say It Again,Sam:Movie Quotation,Performance and Masculinity
fan studies theatricality of everyday life replay culture participatory culture
2009/11/27
Film dialogue has a substantial presence in the popular circulation and consumption of films, from the AFI’s celebration of the most quoted movie lines to viewer practices of memorizing and reciting f...
Inflected Accounts and Irreversible Journeys
Film audiences sexual violence audience research film authorship À Ma Soeur! Irreversible
2009/11/27
In 2006 a team led by Prof. Martin Barker at Aberystwyth University was commissioned by the British Board of Film Classification to study audience responses to five films that the board had recently s...
The construction of popular taste according to Colombian filmmakers of the 1940s
National cinema Colombian cinema 1940s folklore popular audiences cinema-going
2009/11/27
This paper aims to understand the notion of the “popular” and the “national”, as it was used during the first period of sound films in Colombia (ten feature films made between 1939 and 1945). It argu...
Appreciating Nollywood:Audiences and Nigerian 'Films'
Nollywood Nigerian films film audiences identity audience pleasures new technology
2009/11/27
This paper is an ethnographic study of the Nigerian movies industry, Nollywood. It begins by considering the antecedents to this industry, in an attempt to identify factors that structure production p...