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The role of the evolving artefact in creative collaboration
artefact creative collaboration
2009/11/20
This work examines the role of the artefact in creative collaboration. In the context of visual art practice, collaboration is a method through which work is produced by more than one artist. It is a ...
Assessing the exhibition and the exegesis in visual arts higher degrees: perspectives of examiners
exhibition arts examiners
2009/11/20
The merger of art schools into academic institutions and the subsequent proliferation of higher degree courses in the visual arts has created pressure for these courses to justify that their research ...
Convention and practice
Convention practice
2009/11/20
If it is agreed that a student in art and design is to represent the understandings and competencies of a sophisticated artist as an end state in their tertiary art education, then what are the most a...
Research as a mode of construction：engaging with the artefact in art and design research
construction engaging art design research
2009/11/20
In this paper, we examine the concept of construction insofar as it applies to, and can be taken to determine, the production of the artefact in the art and design research process. These modes of con...
The thing is: between the designer poet and the artist bricoleur
designer poet artist bricoleur
2009/11/20
The starting points for this study are the texts Art and its Objects by Richard Wollheim; The Field of Cultural Production by Pierre Bourdieu and the work on material culture notably that of Daniel Mi...
Quatremere de Quincy and the instrumentality of the museum
Quatremere de Quincy the museum
2009/11/20
The creation of a French Empire under Napoleon required not only the exercise of military muscle but cultural clout too. Part of the Imperial project involved the removal of vast quantities of works o...
The reckless and the artless: practical research and digital painting
reckless artless digital painting
2009/11/20
To be making paintings through a computer raises interesting questions about control, expertise and research. In computer graphics "artifacts" are unwelcome blisters on images. In painting such accide...
This paper addresses the differing embodiments of culture and knowledge which the Parthenon Sculptures (or 'Elgin Marbles') offer in today's world rather than at the time of their creation, although t...
The inclusion of practice as a valid research activity within the academic community has not only established the academic credentials of art and design, but has also undermined the traditional binari...
It seems to me that in art and design research the main problem is perhaps not to contribute to knowledge a new perspective, an original thought, a deeper understanding in the field of study, because ...
In the field of architecture, the concept "practice based research" means not only an alternative to traditional academic research; it also highlights questions concerning artistic implications in arc...
The Research Assessment Exercise recognises some activities of artists as research activities. However, the lack of widespread agreement on the theoretical foundation of this position has engendered a...
Why the culture of academic rigour matters to design research: or, putting your foot into the same mouth twice
culture academic rigour matters design research
2009/11/20
There is a very real need to argue for an expanded understanding of research methods and understandings of knowledge as they relate to areas of practice. This is particularly so for Design as it curre...
I would like to offer a paper at the 'Research into Practice 2' conference on 'arting' and 'knowledge'. I propose to explore the activity of 'arting' in relation to conceptions of 'knowledge' and 'ima...
Contribution to an understanding of the knowledge base in the field of visual arts
knowledge visual arts
2009/11/20
There are two different perspectives from which the field of visual art may be discussed, which are related to either before or after the artwork is finished. Traditionally, finished works of art are ...