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Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
Mapping narrative space in Hollywood film. Projections
Mapping narrative space Hollywood film Projections
2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Film through the Human Visual System:Finding Patterns and Limits
Film Human Visual System Finding Patterns Limits
2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
Event segmentation and seven types of narrative discontinuity in popular movies
Events Film style Movies Narrative Scenes Segmentation
2015/8/13
Usingasampleof24moviesIinvestigatenarrativeshifts inlocation,characters,andtimeframethatdoanddonot align with viewer segmentations of events (scenes and subscenes) in popular movies. Taken independent...
Coloring the Animated World:Exploring Human Color Perception and Preference through the Animated Film
Animated World Exploring Human Color Perception Preference through Animated Film
2015/8/13
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action film...
Popular movies are spatiotemporal arrays of light and motion, but almost nothing is known about their distributions across whole films. Psychological research shows that the center of the screen is th...
Re-Presentations of Space in Hollywood Movies:An Event-Indexing Analysis
Re-Presentations Space Hollywood Movies Event-Indexing Analysis
2015/8/12
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
Shot Durations,Shot Classes, and the Increased Pace of Popular Movies
Shot Durations Increased Pace Popular Movies
2015/8/12
We investigated historical trends of mean shot durations in about 9400 English language and 1550 non--‐English--‐lan...
The Framing of Characters in Popular Movies
Aspect ratios characters Hollywood style fixations, movies
2015/8/12
I investigated the number and locations of characters as they appear on the screen in 48 popular movies released from 1935 to 2010. Sampling an average of one of every 500 frames (～20 s of film)I amas...
战争与冲突时刻伴随着社会活动和政权的更替,而电影作为历史书写和群体价值观的载体,是超越记忆的存在. 包括电影在内的各种媒介塑造的美国形象由过去主要依赖地理条件来连接各自区块的熔炉,转变为由商业与技术相交织的混合体. 电影从诞生至今,持续保持的首要定位是一种商品,其次是满足文化意识的传承和美学艺术的发扬. 将艺术、商业与大众娱乐杂糅在一起的好莱坞为世界提供了一个探究美国文化和社会历史的窗口. 好莱坞...
文革电影的英雄崇拜情结
文革电影 英雄崇拜 模式化 反现代性
2016/11/25
文革电影中明显存在着英雄崇拜情结,但无论何种英雄,都呈现出模式化特点。英雄崇拜情结的出现既有现实的原因,也有历史的原因。英雄崇拜情结凝聚了人心,塑造了国家形象,但也滋生出唯心主义的历史观和腐朽落后的反现代性。
The services and resources which a sound environment provides are being severely affected by
human activities, ultimately affecting both quality of life and the longevity of business.
WRITING BRITISH FILMS - who writes British films and how they are recruited
British films WRITING BRITISH FILM
2015/3/4
Royal Holloway enjoys an international reputation for the highest quality teaching and
research across the sciences, arts and humanities. A combination of distinctive
character, academic vision an...
The review has indicated that under-represented groups in the film
industry are not always equitably represented or treated, whether in
the workforce, among audiences, or in portrayal.
Keith Randle welcomed delegates on behalf of the University of Hertfordshire and noted
that this was a unique event in that it had such strong representation both from the
academic world, as well ...