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My impressions of this programme. I did not like Isadora at all I am afraid (well performed though it was - I am not left with the nagging feeling that other castings might make it work). The bi...
I saw the first night of the Isadora / Dances bill last week & like many first nights I thought Isadora still looked like a work in progress so I will be returning to the final 2 performances this wee...
Well I think Monica Mason and Deborah Macmillan are probably all too aware of the heated debate that I can see is going to develop on these and many other pages, and hopefully they are managing a wry ...
The RB’s latest excursion down ballet’s memory lane turns out to be more disappointing muddy trudge than enriching wistful wander. Deborah, widow of choreographic genius, Kenneth MacMillan, has cond...
Isadora Duncan divided viewers in her lifetime, some finding her a fascinating performer and the inspiration for a revolution in dance, and some not able to take her seriously at all. It was a life th...
‘Eonnagata’(图)     Eonnagata  Bruce Marriott       2009/7/27
As Sylvie Guillem stepped out on stage in a gorgeous red and white Alexander McQueen costume to narrate at the start of Eonnagata the omens looked good, I thought - her story, a creation myth of how t...
T.H.E, the acronym for The Human Expression, is the newest kid on the block. This fresh and electrifying dance company is raging with innovation. Founded by ex-principal dancer of Singapore Dance Thea...
‘Princess Changping’     Princess Changping  Natasha Rogai       2009/7/27
At first glance it looks straightforward. A Chinese dance version of the classic Cantonese opera Princess Changping, the story of the last Ming emperor’s ill-fated daughter, culminating in her committ...
‘The White Body’     The White Body  Ea Sola       2009/7/27
Ea Sola’s The White Body is a new 80 minute work jointly commissioned by the HK Arts Festival and bodies in France, Holland and New Zealand. A Vietnamese choreographer based in France, Sola is known...
City of K, a gala celebrating the 30th anniversary of Hong Kong’s leading modern dance ensemble, City Contemporary Dance Company together with the work of Helen Lai, the doyenne of local choreographer...
The first performance of the Corella Ballet Castilla y León at the Tivoli Theatre in Barcelona in January was met with tremendous enthusiasm. Although the corps de ballet did not disappoint and the te...
As Rita Felciano enthused, it is quite remarkable that this collaboration of two or more year’s performing has not just endured but seemed like a first time. This was San Francisco's first exposure, M...
It really should be titled Three Ladies Who Could, but ODC did have its thirty-eighth season for the past two weekends at Yerba Buena Center's Novellus Theater, featuring dancers who have come to work...
Little needs adding to Rachel Howard’s San Francisco Chronicle assessment of the Julia Adam version of Midsummer Night’s Dream, Diablo Ballet’s revival of the 2003 production for Marin Ballet. The Egy...
Four short ballets were spotlighted during the spring season of the Nashville Ballet at the TPAC Stage in downtown Nashville. The performance reified the varying adaptations of traditional choreograph...

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