搜索结果: 106-120 共查到“电影理论”相关记录244条 . 查询时间(5.8 秒)
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
A Window on Reality: Perceiving Edited Moving Images
movies visual cognition eye movements memory attention perception space time
2015/8/13
Edited moving images entertain, inform, and coerce us throughout our daily lives, yet until recently, the way people perceive movies has received little psychological attention. We review the history ...
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a fil...
Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
Mapping narrative space in Hollywood film. Projections
Mapping narrative space Hollywood film Projections
2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Film through the Human Visual System:Finding Patterns and Limits
Film Human Visual System Finding Patterns Limits
2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
Event segmentation and seven types of narrative discontinuity in popular movies
Events Film style Movies Narrative Scenes Segmentation
2015/8/13
Usingasampleof24moviesIinvestigatenarrativeshifts inlocation,characters,andtimeframethatdoanddonot align with viewer segmentations of events (scenes and subscenes) in popular movies. Taken independent...
Popular movies are spatiotemporal arrays of light and motion, but almost nothing is known about their distributions across whole films. Psychological research shows that the center of the screen is th...
The Framing of Characters in Popular Movies
Aspect ratios characters Hollywood style fixations, movies
2015/8/12
I investigated the number and locations of characters as they appear on the screen in 48 popular movies released from 1935 to 2010. Sampling an average of one of every 500 frames (～20 s of film)I amas...
杭州师范大学2015年硕士研究生招生考试自命题电影基础理论试卷。
罗伯特·麦基的叙事理论批判
罗伯特·麦基 叙事理论 疏漏与缺憾
2016/11/28
罗伯特·麦基的叙事理论经济、实用,贴近创作实际;简洁、明快,揭示了好莱坞电影在编剧层面的许多奥秘。但是,麦基的叙事理论,疏漏与缺憾也是明显存在的,概而言之有三:在材质分析中,强调矛盾冲突,无视题旨蕴意;在谋篇布局中,注重动作设计,忽视情感铺陈;在故事编创中,只谈如何编写,不说编写什么。据此笔者认为,麦基的电影叙事理论零散、琐碎,以偏盖全,离完整的理论体系尚有很大的差距。
杭州师范大学2014年硕士研究生招生考试自命题电影基础理论试卷。
杭州师范大学2014年硕士研究生入学考试自命题科目广播影视基础考试大纲。
新疆首部本土动漫电影上映 讲述“楼兰古国”
楼兰古国 新疆 本土动漫电影
2014/4/9
2014年04月8日从新疆若羌县获悉，新疆首部本土动漫电影——《西行总动员之楼兰传奇》于8日在新疆卫视首播，向观众全面展示神秘古老的楼兰古国。据悉，影片以楼兰古国丰富的历史文化背景为创意基础，通过动漫艺术的创作手法，将若羌县境内的楼兰古城、米兰遗址、阿尔金山、罗布泊、子母河等文化元素、自然景观、历史典故、传说故事等呈现给观众，还原2000多年前若羌地区的西域风情和沙漠风光，以期外界深入了解当地的历...