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Richard A. Gilmore’s Doing Philosophy at the Movies is based upon a series of articles that have appeared in the journal Film and Philosophy over the last few years1. The essays have been updated an...
Philosophy and popular culture have always by definition tended to exclude one another and so the title of the series published by The University Press of Kentucky, Philosophy of Popular Culture (an...
Stanley Kubrick’s film oeuvre is widely admired for its emotional and intellectual power, as well as its formal beauty and coherence, confirming the director’s status as an auteur with a specific wo...
This book enters a realm of highly blurred borders and amicable contention. For one, we have the array of rubrics for thinking and writing about cinema – all with fuzzy edges: Film as Philosophy, Fi...
Christopher Falzon describes the aim of his book, now in its second edition, as being to introduce some of the ideas and arguments that have preoccupied philosophers over the years, drawing on films a...
Let me begin by noting that The Philosophy of Motion Pictures, one of the latest in the Blackwell series on the Foundations of the Philosophy of the Arts, is an intriguing monograph, which contains ...
In a Film-Philosophy review from over a decade ago, Jeffrey A. Bell remarked that the impact of Deleuze’s remarkable Cinema I and Cinema II books was still, lamentably, ‘slight to non-existent’ (199...

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