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“好莱坞，电影学者在哪里？”研讨会（Bridging Gaps: Where is the film scholar in Hollywood filmmaking?）
好莱坞 电影学者 研讨会
2017/2/24
here have been significant debates on gaps between filmmakers and film scholars. Film scholars have been critical of dominant representations that tend to overlook classist, sexist, and ethnocentric t...
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
Visual Activity in Hollywood Film: 1935 to 2005 and Beyond
film motion movement frames shots
2015/8/13
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
The changing poetics of the dissolve in Hollywood film
changing poetics dissolve Hollywood film
2015/8/13
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a fil...
Mapping narrative space in Hollywood film. Projections
Mapping narrative space Hollywood film Projections
2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Re-Presentations of Space in Hollywood Movies:An Event-Indexing Analysis
Re-Presentations Space Hollywood Movies Event-Indexing Analysis
2015/8/12
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
’I Do Want to Live!’: Female Voices, Male Discourse, and Hollywood Biopics
Female Spectatorship Male Discourse Male Filmmakers Women's Film Biographies
2014/11/11
Complicating cherished assumptions about film biography, the fifties, and female spectatorship, I Want to Live! finds male filmmakers identifying with a female protagonist in opposition to the male in...
Seeing Ecology and Seeing as Ecology:On Brereton’s Hollywood Utopia and the Andersons’ Moving Image Theory
Brereton’s Hollywood Utopia Andersons’ Moving Image Theory
2009/11/25
Brereton’s Hollywood Utopia and the Andersons’ edited volume, Moving Image Theory,
both revolve around conceptions of ecology. Although they both start with this concept
as central, each utilises it...
Written at a cultural moment when the subject of religion is at its most problematic and fascinating, Stephenson Humphries-Brooks's book Cinematic Savior: Hollywood's Making of the American Christ arg...