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Pictures and their special status in cognitive inquiry. In J. Hochberg
Pictures special status cognitive inquiry J. Hochberg
2015/8/13
Pictures and their special status in cognitive inquiry. In J. Hochberg.
Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music
Music Cognitive Sciences
2014/12/18
ESCOM supports and promotes empirical and theoretical research from a wide range of disciplines. These include aesthetics, anthropology, artificial intelligence, cognitive science, composition, educat...
Musical Archetypes and Collective Consciousness: Cognitive Distribution and Free Improvisation
Musical Archetypes Collective Consciousness Cognitive Distribution Free Improvisation
2008/10/29
This paper investigates free improvisation from the perspectives offered by cognitive distribution theories as pioneered by Vygotsky, Wundt, and Mead. Using a hypothetical 'script' of an improvised pe...
Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101
cognitive dissonance embodiment image schemata performance analysis Beethoven Op. 101 Robert Hatten
2010/3/25
Much of Beethoven’s music—especially that of the late period—demands that the performer follow interpretive markings that seem to be musically counterintuitive. Conflict between the competing desires ...
Comment on Huron and Veltman: Does a Cognitive Approach to Mode Make Sense?
analysis medieval chant modality tonality cluster analysis multidimensional scaling methodology
2010/9/26
his commentary examines Huron and Veltman’s article from the
perspective of historical musicology. The following issues are discussed:
• The authors regard modes as conceptual categories of th...
A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
mode chant tonality cluster analysis multidimensional scaling
2010/9/26
A random sample of 98 Gregorian chants was used to assemble “mode
profiles”—pitch-class distributions for each of eight medieval modes in the manner of
Krumhansl’s and Kessler’s (1982) key profiles....
Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis
Lawrence M. Zbikowski Cognitive Structure Conceptualizing Music
2010/3/25
[1] Conceptualizing Music attempts to explain musical understanding in the face of music's experiential ephemerality. This experience of music is illustrated at the beginning and end of the book by Ch...
Metaphor and Music Theory: Reflections from Cognitive Science
metaphor cognitive science analysis Nicholas Cook
2010/4/21
A recent discussion on the smt-list focused on Nicholas Cook's claim in Music, Imagination, and Culture that musical analysis is essentially metaphorical. This essay investigates this claim through a ...
Cognitive Dissonance: Should Twentieth-century Women Composers be Grouped with Foucault's Mad Criminals?
twentieth-century Lester Straus Kostka Morgan women Foucault Margolis
2010/4/21
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...