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Marked Initial Pitch in Questions Signals Marked Communicative Function
Initial pitch conversation questions iconicity speech acts
2015/12/21
In conversation, the initial pitch of an utterance can provide an early phonetic cue of the
communicative function, the speech act, or the social action being implemented. We conducted
quantitativ...
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When high pitches sound low: Children’s acquisition of space-pitch metaphors
pitch space metaphor linguistic relativity
2015/12/18
Some languages describe musical pitch in terms of spatial
height; others in terms of thickness. Differences in pitch
metaphors also shape adults’ nonlinguistic space-pitch
representations.
Revisiting pitch slope and height effects on perceived duration
perception-articulation interaction pitch contour perceived duration hypercorrection strategy compensation strategy
2015/4/27
The shape of pitch contours has been shown to have an effect on the perceived duration of vowels. For instance, vowels with high level pitch and vowels with falling contours sound longer than vowels w...
The Thickness of Musical Pitch: Psychophysical Evidence for Linguistic Relativity
metaphor musical pitch psychophysics space Whorfian hypothesis cross-cultural differences language music
2015/4/24
Do people who speak different languages think differently, even when they are not using language? To find out, we used nonlinguistic psychophysical tasks to compare mental representations of musical p...
Do you see what I’m singing? Visuospatial movement biases pitch perception
Mental representation Pitch perception Music Space Spatial representation
2015/4/24
The nature of the connection between musical and spatial processing is controversial. While pitch may be described in spatial terms such as ‘‘high’’ or ‘‘low’’, it is unclear whether pitch and space a...
LANGUAGE SHAPES MENTAL REPRESENTATIONS OF MUSICAL PITCH: IMPLICATIONS FOR METAPHORICAL LANGUAGE PROCESSING
LANGUAGE SHAPES MENTAL REPRESENTATIONS MUSICAL PITCH METAPHORICAL LANGUAGE PROCESSING
2015/4/8
Speakers often use spatial metaphors to talk about musical pitch (e.g., a low note, a high soprano). Previous experiments suggest that English speakers also think about pitches as high or low in space...
Development in Children’s Interpretation of Pitch Cues to Emotions
Development in Children’s Interpretation Pitch Cues to Emotions
2014/5/7
Young infants respond to positive and negative speech prosody (A. Fernald, 1993), yet 4-year-olds rely on lexical information when it conflicts with paralinguistic cues to approval or disapprova...