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A Comparative Evaluation of Pitch Notations in Turkish Makam Music:Abjad Scale & 24-Tone Pythagorean Tuning – 53 Equal Division of the
Abjad scale Pythagorean tuning Arel-Ezgi-Uzdilek System 53 equal divisions of the octave Octave as a Common Grid
2008/10/30
In the Middle East, Abjad notation
has been available since the day of Al-Kindi
(9th century). However, Abjad was never used
except as a theoretical tool. A handful of extant
musical examples show...
“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers
Anthony Braxton Notations Synaesthetic Ideal Improvisers
2008/10/27
In this article I look at some of the visual elements in Anthony Braxton’s music and examine how he uses graphic and symbolic notations in particular to initiate fresh approaches to improvisation.
Composers, performers, and notation: solo music notations in Europe, 1500-1700
composition performance notation semiology sociology
2010/4/22
Work in progress: a synopsis of an
interdisciplinary study examining the movement in western
art music from primarily aural to primarily written media.
The study, now in its formative stages, em...