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THE REPRESENTATION OF MARGINAL YOUTH IN CONTEMPORARY JAPANESE POPULAR FICTION: MARGINAL YOUTH AND ISHIDA IRA’S IKEBUKURO WEST GATE PARK
marginal youth Ishida Ira Ikebukuro West Gate
2014/10/28
This thesis would not have been possible without the help of the following people.
Thanks are in order for the members of my thesis committee, who continually pushed
me to write so...
网络传播的出现搅扰了传统的传播逻辑，随之而来的是去中心化的双向传播为特征的“第二媒介时代”。网络传播蕴含的民主力量也是对传统“把关人”角色的解构，受众的地位明显上升，“把关人”角色发生变化。本文通过一定时间区内对《人民日报》和“人民网”所登载的国际新闻的分析，主要从新闻重合度和新闻内容分布进行考察，发现网络传播中的“把关人”的变化主要体现为新闻选择的内容变化和尺度变化，尺度更为宽泛，内容更为通俗。...
Loves Labours Lost—Act 5, Scene 1: The city gate
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
MARIANA veiled, ISABELLA, and FRIAR PETER, at their stand. Enter DUKE VINCENTIO, VARRIUS, Lords, ANGELO, ESCALUS, LUCIO, Provost, Officers, and Citizens, at several doors
DUKE VINCENTIO
My ver...
Loves Labours Lost—Act 4, Scene VI: Street near the city gate.
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
Enter ISABELLA and MARIANA
ISABELLA
To speak so indirectly I am loath:
I would say the truth; but to accuse him so,
That is your part: yet I am advised to do it;
He says, to veil full purpose...
《The Wonderful Wizard of Oz》Chapter 10 - The Guardian of the Gate
L Frank Baum The Wonderful Wizard of Oz fairy tale
2008/7/10
It was some time before the Cowardly Lion awakened, for he had lain among the poppies a long while, breathing in their deadly fragrance; but when he did open his eyes and roll off the truck he was ver...
荒诞派戏剧，是个什么样——看爱尔兰Gate剧院演出《等待戈多》有感
荒诞派 戏剧
2008/1/3
《等待戈多》是一出荒诞派戏剧。爱尔兰Gate剧院的演出让中国观众大开了眼界，看到了舞台上真正的荒诞派戏剧的演出样式。该剧演出的突出特点是“原汁原味”。舞台上空空如也，没有音响，也没有任何背景。台口左侧有一块石头，后面影影绰绰好像是有一棵“树”——其实就是一截木桩子上面伸出三个粗的叉，没有枝，也没有叶。这时，矮胖子埃斯特拉贡和瘦高个儿弗拉迪米尔上场了。两个人站在树下，互相看看，像是认识，又像是不...