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Outside/In: Abjection, Space, and Landscape in Brokeback Mountain
Space Landscape Brokeback Mountain
2009/12/4
The interaction between hero and landscape lies at the [Western] genre's center, overshadowed in the popular image of the Western by gunfights and chases, but no less essential to the experience Weste...
"I never had so difficult a picture to paint": Albert Bierstadt's White Mountain Scenery and The Emerald Pool（图）
Albert Bierstadt's White Mountain Scenery The Emerald Pool
2009/11/20
When Albert Bierstadt's painting, The Emerald Pool (The Chrysler Museum, Norfolk, Virginia) (fig. 1), was exhibited at the San Francisco gallery of Snow and Roos in 1871, the catalog noted that Bierst...
Transience and Imperfect Tense：Brokeback Mountain as Melodrama
Transience Mountain Melodrama
2008/12/8
For a number of critics, Brokeback Mountain (2005) is a groundbreaker, the boundaries it extends, broadly, being generic. B. Ruby Rich believes Ang Lee has "taken an established conventional genre by ...
Existentialism in Anita Desai’s Fire on the Mountain
Existentialism Anita Desai’s Fire on the Mountain
2010/9/29
Existentialism as a philosophy is historically and culturally of European origin.Ever since it was recognised as the dominating philosophy of the West in the midtwentieth century, it has left “its imp...
Tops and Tales: Mountain Anecdote and Mountain Metaphor
Tops and Tales Mountain Anecdote Mountain Metaphor
2014/1/15
This paper on Rocky Mountain poetry and the resonance of the Great Divide begins and closes in memoir.1 In between it reflects on mountain realities and the literary metaphors to which the realities g...