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用科学的方法研究设计文化----读胡俊红先生《设计的因缘》随想
胡俊红 设计的因缘
2009/7/14
胡俊红先生的专著《设计的因缘》，是胡先生近年最新研究成果的总结。该书以家具为研究对象，以文化为研究背景，以设计为研究视角，按照“物缘求新”（现象与成因）、“人缘求真”（价值观）、“生缘求善”（设计观）、“时缘求变”（风格与演变）、“形缘求美”（材质与结构）、“和缘求存”（未来与发展）等几大因缘关系，从文化与哲学的视野剖析了家具设计诸影响要素，理清了家具设计的形成“因缘”与“事中之理”。该书由小见大...
飞檐上的乐章－－汉代瓦当纹的的装饰语言探析（图）
瓦当纹 装饰语言 程式化
2009/7/6
汉代瓦当纹是中国古代装饰文化遗产中的一支奇葩。它不仅以其优美的装饰纹样为后人所仰慕，更因其包含的丰富文化内涵，塑造了中国古代装饰艺术的文化品格而被后世赞叹。文中介绍了汉代动物纹瓦当，云纹瓦当和文字瓦当的各自特征；并从汉代瓦当的程式化特征，构图方式、法则、理念等方面对汉代瓦当纹的装饰语言特征进行了剖析。
对中国文化符号化的批评（图）
中国文化 符号 语境 创新
2009/6/30
随着交通工具和通讯技术的发展，伴随着“全球化”这一概念深入人心，“中国文化”或者说“中国元素”也得到国人的普遍关注，中国文化被视为中国在世界大同的一体化经济趋势中脱颖而出的解决之道。在设计中体现中国文化就要涉及到设计和中国文化如何结合的问题。其中的两个概念“设计”和“文化”需要搞清楚。而设计师不能深层次的了解中国文化，真正了解中国文化的人又不懂设计，最终导致设计中中国文化的符号化。笔者对这一文化符...
中国传统吉祥纹样——蝙蝠纹初探（图）
蝙蝠纹 造型方式 构图形式 谐音
2009/6/24
从蝙蝠纹的“形”与“意”两方面入手，探讨了从蝙蝠纹样中所折射出的中国传统“观物取象”的美学思想，表明了创作者是大胆运用变形、夸张、概括的抽象艺术表现手法，对自然界中的蝙蝠原形进行意象美化，由“形似”到“神似”，突出表现了东方传统的象征艺术；进而再由蝙蝠美纹的谐音之意到文化之意，深入剖析了中华民族追求幸福美好生活的“福”文化思想及精神内涵。
This paper examines the influence of major economic theories in shaping views of what constitutes value as created by design. It begins by examining Neo-Classical theory, which is dominant in the Engl...
Navigating the Innovation Matrix: An Approach to Design-led Innovation（图）
Innovation Matrix-based Approach Design for Research Business Value
2009/6/15
In an era where companies can no longer rely on technological breakthroughs and incremental product development, innovation is high on management agendas. At the same time, the scope of innovation has...
Collaborative 3D Workspace and Interaction Techniques for Synchronous Distributed Product Design Reviews
Collaborative Design Shared 3D workspace Tangible Interaction Tele-presence
2009/6/15
This paper presents a collaborative 3D workspace that makes use of newly developed interaction techniques for synchronous distributed product design reviews. These new techniques were developed to enh...
Place-Specific Computing: A Place-centric Perspective for Digital Designs（图）
Embodied Interaction Interaction Design Human Geography Mobile Computing
2009/6/15
An increased interest in the notion of place has evolved in interaction design based on the proliferation of wireless infrastructures, developments in digital media, and a ‘spatial turn’ in computing....
Facilitating Dynamics of Focus Group Interviews in East Asia: Evidence and Tools by Cross-Cultural Study（图）
Cross-Cultural Study Focus Group Interview Group Dynamics User Research Methods
2009/6/15
Facilitating cultural sensitivity has become a critical issue in user experience design. Although many design solutions attempt to take cultural differences into account, there have been few studies f...
Influence of Stakeholders on Industrial Design Materials and Manufacturing Selection（图）
Industrial Design Materials Selection Manufacturing Decision-Making Education
2009/6/15
Surprisingly little is reported on the pragmatic influence of project stakeholders on industrial designers’ selection of product materials and manufacturing processes. This paper reports on a descript...
Why Do We Need Doctoral Study in Design?
Doctoral Education PhD in Design Design Research Research Education Design Knowledge
2009/6/15
This article makes a case for why design research is important to contemporary design practice and the deepening of the design disciplines, especially at this point in our history. It identifies the p...
Switch! Energy Ecologies in Everyday Life（图）
Aesthetics Critical Practice Energy Awareness Experimental Design
2009/6/15
There is no single answer to the question of how people should live, nor any silver bullet for solving current ecological problems—and yet, contemporary design must seek ways to think and act in light...
论艺术设计专业跨学科教育
艺术设计 跨学科 教育
2009/5/7
艺术设计学科自身的综合性、复杂性体现出该学科教育的交叉性和跨学科性特质。然而当下艺术设计专业教育普遍存在的单一学科教育倾向已严重制约了这一学科的健康发展。因此探讨艺术设计专业教育多专业交叉、跨学科教育，就成了艺术设计专业教育发展与创新非常重要的命题。
等待感觉：理性经纬中真情迸发
感觉 理性经纬
2009/4/14
没有激情的设计是空洞无味的，就象不曾令你感动的诗篇，只是词藻的堆砌，冗长的篇章却没有诗人真情的语句。激情是一种创造性的起点，是设计师创造出极具生命力设计作品的源泉，是打动使用者的魅力，同时也是使用者与设计师内心联系与共鸣的纽带。