搜索结果: 46-60 共查到“知识库 美术史”相关记录357条 . 查询时间(6.703 秒)
艺术史是一种奢侈的知识，她不仅让你了解历史和感受历史，也让你拥有精神上的愉快和享受。如果不是为了应对考试或者投机，我们在阅读例如贡布里希（Ernst Hans Gombrich）的《艺术的故事》的时候，不就是一次愉快而感性的智慧旅行？艺术家拥有代表人类放肆说话的权力，他不断地破坏我们熟悉的边界，而这样的破坏是如此地充满快感和可能性，以至倘若我们没有这样的知识，我们的想象力和创造力便是值得大大怀疑的...
A Study on the Earliest Representation of Garment & Accessories in the Figure Illustrations of ‘Nushi zhen’
Representation Garment Accessory Figure illustration Handscroll
2009/12/1
The earliest Chinese handscroll extant painting is the ‘Nushi zhen’ by Gu Kaizhi housed in the British Museum, which is now often considered to be a Tang Dynasty copy of the original. This article sho...
“君民之学”与“新旧之学”
私塾 学堂 新旧之学 君民之学
2009/11/24
20世纪40年代以后，随着新学在中国教育制度中成为主导模式，旧学逐渐式微，成为在新的西式教育体制内外的延存。著名画家潘天寿就是在新学校受的教育，并在新学校中传授中国画，从当时的国立杭州艺专的课程表上看，是新旧结合的折中，是新学中加入旧学。而潘天寿所强调的“中西绘画，要拉开距离；个人风格，要有独创性。时代思潮可以有世界性，但表现时代精神的艺术作品，形式风格还是越多样越好”，表明他已经在中西文化相互影...
“五四”与“美术革命”
文化运动 美术革命 五四
2009/11/24
“ 五四” 时期“ 美术革命” 的思想与活动， 并不都发端于“五四”。蔡元培的美育与融和中西美术的思想，早在晚清他第一次留德期间就形成了。他1912年写的《对于教育方针之意见》，已将美育列为教育“五大主义”之一。曾任职于教育部社会教育司，主管博物馆、图书馆、美术馆、演艺会、展览会的鲁迅，1913年就发表了支持蔡氏美育主张的《拟播布美术意见书》。至于吸收、借鉴西方美术，早在16世纪前期就发端于来华的...
“君民之学”与“新旧之学”（2）
私塾 学堂 新旧之学 君民之学
2009/11/24
20世纪40年代以后，随着新学在中国教育制度中成为主导模式，旧学逐渐式微，成为在新的西式教育体制内外的延存。著名画家潘天寿就是在新学校受的教育，并在新学校中传授中国画，从当时的国立杭州艺专的课程表上看，是新旧结合的折中，是新学中加入旧学。而潘天寿所强调的“中西绘画，要拉开距离；个人风格，要有独创性。时代思潮可以有世界性，但表现时代精神的艺术作品，形式风格还是越多样越好”，表明他已经在中西文化相互影...
Gustave Planche, or The Romantic Side of Classicism（图）
Gustave Planche The Romantic Side Classicism
2009/11/20
Gustave Planche (1808–1857) was the most important and most formidable art and literary critic during the July Monarchy. After joining the staff of La Revue des deux mondes shortly after the beginning...
The Rouillet Process and Drawing Education in Mid-Nineteenth-Century France（图）
The Rouillet Process Drawing Education Mid-Nineteenth-Century France
2009/11/20
The fear that creativity would suffer with the introduction of mechanical methods of reproduction lay behind the criticism directed first at Rouillet, and then at Madame Cavé. However, if such process...
"I never had so difficult a picture to paint": Albert Bierstadt's White Mountain Scenery and The Emerald Pool（图）
Albert Bierstadt's White Mountain Scenery The Emerald Pool
2009/11/20
When Albert Bierstadt's painting, The Emerald Pool (The Chrysler Museum, Norfolk, Virginia) (fig. 1), was exhibited at the San Francisco gallery of Snow and Roos in 1871, the catalog noted that Bierst...
Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London（图）
the French Gallery Ernest Gambart the Commercial Art Gallery Mid-Victorian London
2009/11/20
In this essay, I examine the establishment of Ernest Gambart's French Gallery in the 1850s and early 1860s in order to investigate the birth of the commercial contemporary art gallery, and the new rol...
Moritz von Schwind's Cinderella (1852–1854): The Beginning of Fairy Tale Painting and Aspects of Marketing Strategies in Germany's Art Scene（图）
Moritz von Schwind's Cinderella Fairy Tale Painting Marketing Strategies Germany's Art Scene
2009/11/20
When artists in nineteenth-century Germany no longer had the economic security of working permanently either for the Church or the Crown, and thus had to face the challenges of the open art market, th...
The Baby-in-a-Half-Shell: A Case Study in Child Memorial Art of the Late Nineteenth Century（图）
The Baby-in-a-Half-Shell Child Memorial Art the Late Nineteenth Century
2009/11/20
Throughout most of the nineteenth century, the new rural cemeteries of North America attracted the attention of patrons and sculptors as potential sculpture gardens worthy of the best quality of art.1...
The Looting of Yuanming and the Translation of Chinese Art in Europe（图）
The Looting of Yuanming the Translation of Chinese Art Europe
2009/11/20
The imperial palace of Yuanming Yuan (or Garden of Perfect Brightness) used to stand about 20 kilometers northwest of Beijing, close to the so-called Summer Palace that tourists can still visit today....
Excavating Greece: Classicism between Empire and Nation in Nineteenth-Century Europe（图）
Excavating Greece Empire and Nation Nineteenth-Century Europe
2009/11/20
Foreign control of Greece’s territory went hand-in-hand with foreign-spurred efforts to disenfranchise its troublesome modern population. Reflecting the period’s perceptions of the rise and decline of...
Environment of Memory: Paris and Post-Commune Angst（图）
Environment of Memory Paris and Post-Commune Angst
2009/11/20
In 1871, Karl Marx asked, "What is the Commune, that sphinx so tantalizing to the bourgeois mind?" Straightforward as the question may have seemed, there was no satisfactory answer.The three-month spr...
Identity and Interpretation: Receptions of Toulouse-Lautrec’s Reine de joie Poster in the 1890s（图）
Toulouse-Lautrec’s Reine de joie Poster the 1890s Identity and Interpretation
2009/11/20
Toulouse-Lautrec’s 1892 poster Reine de joie, which promoted a novel by that name, represents an elderly banker as a lascivious, balding, pot-bellied Jew whose ethnic nose is pinned down by a vigorous...