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Shadows and Bogeymen:Horror,Stylization and the Critical Reception of Orson Welles during the 1940s
Critical reception horror Orson Welles studies of film genre and authorship
2009/11/27
The article discusses Welles’s critical reception during the 1940s, and demonstrates the ways in which he was understood as a horror star. In the process, it argues that his films illustrate the close...
Gothics and Grand Guignols:Violence and the gendered Aesthetics of Cinematic Horror
cinematic horror aesthetics emotional affect female audience responses
2009/11/27
This paper discusses a feminine aesthetic of cinematic horror informed by ethnographic study of the female horror film audience. In particular, this analysis of audience responses focuses on genre sty...