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In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quan...
In 2004 forty seven people in their twenties and thirties from the UK and Ireland, agreed to participate in research regarding their film watching. A key aspect to the research was: what evidence exis...
This paper explores the responses of players of the video game series Resident Evil to its adaptation in film. Initial research of gamers on the internet movie database’s (Imdb) Resident Evil message ...
This paper examines the degree to which the performance of gender is sustained and/or problematised through the triangular relationship between popular cinema, film audiences, and the social/cultural ...
This essay evaluates a recent BBFC-sponsored study of responses to the film Straw Dogs (among others), and compares its methods and findings with a research project conducted in Aberystwyth. Through ...
Association International du Film d’Animation(International Animated Film Association),ASIFA,was founded in 1957 in France, and chartered under UNESCO in 1960 as a membership organization devoted to t...
Started in 1947, the EIFF is one of the true homes of innovative and exciting cinema. For over half-a-century, the Festival has presented some of cinema’s most important and exciting moments and playe...
诺曼德•罗杰于1949年出生于加拿大蒙特利尔;1970年开始其职业生涯,以自由作曲家身份为加拿大国家电影局的动画影片作曲。他起初在动漫制作领域里发展,在过去的35年里谱写了上百首脍炙人口的乐曲;此外,他还为纪录片、专栏节目、电视剧、儿童剧、商业广告、多媒体演示、3D动画、虚拟现实短片和电视专题片等创作音乐。

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