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4D Design：Applied Performance in the Experience Economy?
Applied Performance Experience Economy 4D Design
2009/7/16
The Liminality and Performance conference incorporated delightful performances and the vitality of the participants was an island of experiences in a rather mundane world of suburban London. Why canno...
Performance as Revolutionary Activity：Liminality and Social Change
Revolutionary Activity Performance Social Change
2009/7/16
I am the dramaturg at the Castillo Theatre, an off-off Broadway theatre in New York City noted for its experimental productions, its populist political concerns and its postmodern sensibility.
Transformations within the Gap：Liminality and Principles of Vedic Language Theory in Performance（图）
Liminality Principles Vedic Language Theory Performance
2009/7/16
The word "liminal" is used to refer to a transformative place, space, and sense of identity within cultural and ritual processes; it denotes a gap or threshold realm. Understood as a gap, the liminal ...
Liminal Acts - A Critical Overview of Contemporary Performance and Theory
Liminal Acts Theory Contemporary Performance
2009/7/16
All liminal works confront, offend or unsettle (Broadhurst, 1999: 168)
Liminal Acts by Susan Broadhurst provides an overview of aesthetic and critical theory in order to illuminate certain contemp...
I remember everything all too well. I am speaking of departure, severance. As we were wedged together at the knees so frequently so hard. There was little dividing us, so, severance. This is departure...
Interaction, Reaction and Performance：The human body tracking project
Interaction Reaction Performance
2009/7/16
As a result of new technological advancements in performance practice, I am arguing that new liminal spaces exist where there is a potential for a reconfiguration of creativity and experimentatio...
“Fluid Architectures and Sample Spaces：Reflections on a Media/Architecture Performance”
performance event Sample Spaces cosine
2009/7/15
cosine is an interdisciplinary multimedia performance event that was developed at the Temple New Media Performance Laboratory, in collaboration with New York-based production company Harakti Multimedi...
In this paper I shall argue for the perception of multiple temporalities in musical experience, and that the evaluation and study of these temporalities be termed ‘tempomorphic’, derived from tempo (s...
Alice Croft, or：Transforming Performance in Internet Culture
Alice Croft Internet Culture Transforming Performance
2009/7/15
When, some years ago, a new computer game hit the streets, numerous hi-tech-augurs declared the death of cinema. Similarly, several decades ago, with the advent of film, the end of theatre and live pe...
Practical creativity in process and live performance：Visual, Auditory and Kinesthetic elements of creative environments
Practical creativity Kinesthetic elements live performance creative environments
2009/7/15
What does it mean to be ‘creative’? There is a difference between what I define as ‘Practical creativity’ and ‘creativity’ per se. When working on creating an original and experimental piece of live p...
We aim at discussing here the possibilities of performance art in telepresence – an artistic activity that has been developed by the Research Group Corpos Informáticos since 1998. The video-conference...
Disability and Contemporary Performance：Bodies on Edge
Contemporary Performance Bodies on Edge
2009/7/15
In the first chapter of Disability and Contemporary Performance, Petra Kuppers asks her readers to consider a turtle. Citing Walter Benjamin's account of the flâneur who allowed his turtle to se...
Acoustic/Electric：A reflective performance document of an experiment in co-creation
Costume Voice vocal sound
2009/7/15
This combination of video excerpts and reflective commentary explores the realisation of the 2004 piece Acoustic/Electric, a three-hour long living installation performance, at the Diapason Sound Art ...
The Body in Contemporary Performance：a comparative and personal response to Nigel Jamieson's Honour Bound and Version 1.0's Wages of Spin
Contemporary Performance Nigel Jamieson Honour Bound
2009/7/15
Many contemporary performances were staged throughout Sydney in 2006. This paper concentrates on two of these that I saw in close succession: Nigel Jamieson’s Honour Bound, which I saw at the Sydney O...
Book Review Performance and Technology：Practices of Virtual Embodiment and Interactivity（图）
Performance Technology Virtual Embodiment Interactivity
2009/7/15
Broadhurst, Susan & Machon, Josephine. Eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity, Basingstoke: Palgrave Macmillan, 2006. ISBN 1403999074. 203 pp. £45.00