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Rigidity in Cinema Seen From the Front Row,Side Aisle
Rigidity Cinema Seen Front Row Side Aisle
2015/8/13
Pictures and cinema seen at a slant present the optics of virtual objects that are distorted and incon-sistent with their real counterparts. In particular, it should not be possible for moving objects...
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis
efficacy cinema visual system did evolve S. Ellis
2015/8/13
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis.
THE ITALIAN ECONOMIC MIRACLE IN COEVAL CINEMA
Italian economic boom Italian cinema Capitalism Intellectuals and society Public opinion Lay comprehension of economics.
2014/6/23
This essay explores the subject of the aversion of intellectuals to the market economy through a study of the Italian cinema of the early 1960s. The impact of Italy's ‘economic miracle’ on coeval cine...
The essays gathered together in the anthology Youth Culture in Global Cinema investigate the ways in which film texts from a variety of national cinemas construct the concepts of adolescence and adole...
This collection of fifteen essays focuses upon a range of films that invites the question as to how each contributor understands the rubric of both "queer" and "British". As Kenneth MacKinnon observes...
The Cinema of Todd Haynes: All that Heaven Allows
The Cinema of Todd Haynes All that Heaven Allows
2009/12/7
Todd Haynes is presently one of the most innovative and talented American film directors. His latest film, I'm Not There (2007), is a complex meditation on the seminal singer/songwriter Bob Dylan. Hay...
From Silent Screen to Multi-Screen: A History of Cinema Exhibition in Britain Since 1896
From Silent Screen to Multi-Screen A History of Cinema Exhibition in Britain Since 1896
2009/12/7
Stuart Hanson's chronicle of a cinema exhibition trade persistently held back by the conservatism, lack of foresight and limited adaptability of its major operators amounts to such a damning indictmen...
Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics
Sleaze Artists Cinema at the Margins of Taste, Style, and Politics
2009/12/7
Editor Jeffrey Sconce's Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics collects together current thinking on lowbrow or 'trash' cinema from a selection of noted academics in the f...
Nightmare Japan: Contemporary Japanese Horror Cinema
Nightmare Japan Contemporary Japanese Horror Cinema
2009/12/7
It seems that Japanese cinema has long been a staple of non-Western film studies, but the majority of scholarship has typically focused on the work of a few canonised directors. The Western market for...
Film Hieroglyphs: Ruptures in Classical Cinema
Film Hieroglyphs Ruptures in Classical Cinema
2009/12/7
Conley draws upon the literary theories articulated by the deconstructionists (Derrida, Foucault, Chomsky), psychoanalytic tradition (Freud), and the philosophical approach to cinema as articulated by...
Guilty By Association: Joe Levine, European Cinema and the Culture Clash of Le Mépris
Guilty Association Joe Levine
2009/12/4
In the late 1950s, Joseph E. Levine achieved national prominence in the US due to the phenomenal success of Hercules (1958) and its sequel, Hercules Unchained (1959), two low-budget peplum films he ha...
Using chronophotography to replace Persistence of Vision as a theory for explaining how animation and cinema produce the illusion of continuous motion
chronophotography Persistence of Vision animation and cinema the illusion of continuous motion
2009/11/27
Chronophotography was developed, at the end of the nineteenth century by Marey, Demenÿ and later Gilbreth and used as a tool for investigating movement. At the beginning of the twentieth century ...
Intrusion of the Real:an interview with Sophie Fiennes,Director,The Pervert’s Guide to Cinema (2006)
Intrusion of the Real Sophie Fiennes Pervert’s Guide to Cinema
2009/11/25
Sophie Fiennes’ The Pervert’s Guide to Cinema is a thrilling ride through some of the
greatest movies of the last fifty years with Slovenian philosopher/psychoanalyst Slavoj Žižek
as our g...
A Heideggerian Cinema?:On Terrence Malick's The Thin Red Line
Heideggerian Cinema Terrence Malick The Thin Red Line
2009/11/25
In his 1979 foreword to The World Viewed, Stanley Cavell remarks on the curious
relationship between Heidegger and cinema (1979, ix-xxv). Cavell is inspired to do so by
Terrence Malick's Days of Hea...
Leo Charney opens his essay ‘In a Moment: Film and the Philosophy of Modernity’ by outlining the temporal and experiential anxieties that define post-1870 transformations of modernity: ‘In the midst o...